the actor as a man and the spectacle of the people.
Man does and survives and goes on his way to go man. You do, you will be spotted here and for the value of the fact recognized by many judges and paid for by some. Do and the audience present in every life. They come in a twin, are interdependent and together the people who actually Actor. As a result, the actor is a very special man, a double Lottchen fact.
The activity is a result of personality, it is said that it was the reaction to a complicated back and forth from the inner world and outer world. Why not? But why, if the cards are in their own lives so often mixed in another hand, speak of a life with a character, and why are hoping to himself and his friends ever to know well?
We may in our lifetime a body and a Name and very own quirks, but they have already happened is something unforeseen and our behavior no longer visible again. We are capable of this deviation, is in the service of our lives, as if it is to point out that we are just not immovable originals, but actors - people who live by roles, and even if one is a sweetheart, in improvise or change the plight of others can. There is nothing embarrassing. It is indeed playing, but still playing themselves, of the road. Such is the seriousness of life.
The interplay of inner and outer world, which is the inner drive that is in the middle of our heart and we continually the book trade by which we write as we play on the edge of the heart for it and at the same time we sit back on its surface, and judge. There are two bilateral relations in us. One between the author and the actors, a beating between the actor and the internal audience, but never, perhaps only when the heart stops, is the author made the internal audience. The theater and its Trinity takes apart and institutionalize what is already united in each individual and makes him a perpetual motion machine. It depends on where it moves. The water that the paddle wheels of our mobile fallen, by itself overcome rising Channels once achieved, will turn with time, and depending on where we drive differently.
An actor without an external audience, or a man without his inner, is, as it would thus be compelled to any iteration, the original man - for man is "one. To introduce such, we would have to go to our depth. Who is this black lump of us? He is never quite seen, because he sold only. Just as the sun shines and fades, we never see in their core. This is not to store, as the actor who we are, after all, equipped with its own audience, and to eternal sighting of itself compelled. What we do have to do is not to derive derivatives of the original - after all. Self-reflection, as we understand it, so there is not more than thought. And in it a vague acquaintance is possible. As a critical observer of the roles to develop, we are allowed to draw conclusions, which can detect the outlines of the shadowy self. Here we can like what we see or not. We throw roses on the stage, or eggs, shout, laugh, cry, and wet, so we whipped or caress the hidden actor and the invisible author - in this way, we wind at our happiness, by the relationship between these parts of us, always an activity. First of all this come in second place to our friends, our listeners and fellow players as an audience to the outside world into the game, but they have as opposed to the interior of audience, a more direct line to our innermost being, which is because everyone only himself such a blinding sun , but not the others.
When both actors is duplicated, both the drama and the audience. Of the art forms that life has no such duplicated, like the theater, however, and the film. Not everyone schriebt, not everyone reads, not everyone paints, and just think, at least not in the institutionalized way the art, once the word is spoken, the artist, or the philosopher imposed. Whether artists or not, everyone lives and plays, whether actors or not. So the theater is the most immediate of many processing and artification "the fact that we are doing all , and our lives, talk, jump, sing, think - so just like in the theater.
So by the actor, and how he sold more than he thinks (which is equivalent to the letter) to recognize and executive nature of that part of us which we are the most conscious.
Internally well-connected people can well, improvising from day to day, as on stage - but they need not theater, to be good people.
And what is his double play from the actors? Probably not more than one person, with the madness of his peers. So the question is rather: For making this game a double man? Which creatures are, therefore they are actors, people? There are those who got lost inside the crowd. It is either dumb, or it has left the theater, and left only the usual suspects in the seats: the sleeper, the thrower, or the screaming. In response to one of three in order to wake him or to return to scream, plays the actor, and as one of the three, he thinks.
all this is indicative of the writer, the actor better invisible with its author, as his close inner audience gets along draws, thus only trivial from the depth and of the monologues he hears himself speak on stage , but become quite deaf but has been qualified in a bored audience to the inner spirit of his erection of habitable castles in the air.
0 comments:
Post a Comment